Its time for the All Star game--to figure out who's really the best of the best.  But, be careful, because if you're the best, a mysterious woman in black might come and shoot you with a silver bullet.  Vlad, do you hear that?  Derrick Lee are you paying attention? 

The Natural is not only one of, if not the best baseball movie of all time, but it definitely has the single greatest baseball moment of all time--Robert Redford's home run into the lights that sends glass and sparks shining down onto the field. 

The Natural is a fantasy... a dream.  Its the story of reclaiming lost youth and taking one last shot at winning something.  Its about wanting so hard to be the best at something, even if its only for a moment. 

Sometimes, I walk down the street and I feel like if I picked up a baseball, I could through it 100 miles an hour.  Seriously.  Unfortunately, I've never felt like that with a baseball in my hand.  I did have one great casual sports moment, though...  and it was a walkoff shot, too.  Playing intramural softball at Fordham in my Senior year.  We were down by two runs going into the bottom of the last inning.  Our team was half my roommates and half of the varsity basketball team.  Two guys got on and I parked an opposite field 3 run home run over the fence...   I knew it was gone as soon as I hit it, and I'm the last guy in the world that you'd expect to hit a home run, because I'm really just a contact hitter.  It was so cool to trot around the bases, and have all the guys from the basketball team like Jason Harris and TJ lineup between third and home waiting to give you a high five.  There was no broken glass, no sparks, but that was my casual sports moment.

I don't need to talk about the movie anymore.  Its a great baseball movie... what more is there to say?  No, instead, why don't you comment on this post and tell us your greatest casual sports moment.  No college or SEMI pro sports... its got to be beer league softball, little league, street football, or something equally unprofessional. 

Admittedly, I'm getting a little bored of my "50 Favorite Movies" posts. 

I might still contribute once in a while, but I've got 28 of them up now and I'm kind of running out of gas.  (Not running out of movies, though... )

And maybe this says something about intential content production vs. production as a byproduct of consumption.

If I could publish my viewing habits via a link to my DVD player, I would.  That would be a lot easier... and then perhaps a preconfigured post could be waiting for me to just give a review when I watch a movie.

What I'm not getting as much is a conversation about movies, which would be much more valuable.  So, I'm going to try something different. 

Instead of posting what I like, I'm going to post question to the audience about movies to get a little conversation going.

So, this week's movie question is:

"What movie are you most embarrassed to admit that you shed a tear to?"   Guy answers particularly interesting...

My answer?

Blow.

That movie is pretty intense and, at the end, when he just wants to do one last deal so he can make enough money to have a life for his daughter... and then he gets busted... they show him in the prison yard and they just pull the rug out from under you in that scene...   I wasn't really prepared for that.  Admittedly, there was some leakage there.  I think I brushed it off as having something in my eye, but, I admit it, Blow made me cry.

So I was just clicking around my blog looking for something, and I noticed something weird about my last 50 Favorite Movies post.  It had an Amazon ad on it...  not the link to the DVD that I usually have, but an actual ad--an annoying flashing/blinking one at that, too.   I figured I pasted the wrong link or something, but then I went back and realized that about half of my movie links had turned into ads. 

So, I pasted a link to a DVD that I'd like to sell as an Amazon Associate, and Amazon's been switching my links out for house ads.

That's pure bullshit.

I don't care if it says that they can in small type somewhere, that's just wrong.  I set up those links so people could find the movies I'm pitching...   not so that Amazon can have ad inventory just to promote its big sale.

That's totally obnoxious and as soon as I get a chance, I'm going to go back and rip down my Amazon links.

Amazon Associate?  No thanks.  I'd rather not "associate" with them on my blog if they're going to pull that.

I'd rather give IMDB the traffic.

Here's the picture of what they put up on my site:

So, I'll admit that I never read the book.  I'm not a big fiction book reader, and it always kind of turns me off when everyone is reading something.

But I feel like seeing the movie gave me a good synopsys of what the story was and I have to say...  it wasn't nearly as interesting or controversal as people said.

Perhaps its the fact that I've actually taken three or four real Theology courses.  I knew that there were other books of the Bible floating around that a council of scholars voted out.  Stories of Jesus' life between the age of like 8 and 30, are also not new to me.   So, while more fundamentalist Catholics who believe that the Bible was a book handed down from the clouds are up in arms from this movie, nothing that was proposed really shocked me.

There's also a huge gaping hole in the story.  [SPOILER ALERT]  Why does finding a direct bloodline to Mary Magdaline necessarily prove that Jesus had children??  Now, I actually believe that he probably did... not sure why he wouldn't...   but nothing about the story proves that she didn't have children with someone else, even after the crucifiction.  These other Bible stories say they were married, but its not like people only had kids with the people they were married to, especially when their spouses die early.  Just doesn't prove much of anything as far as I can tell.

Also, everyone in the movie is pretty good, except for, and I hate to say it, Tom Hanks.  He's horribly miscast in the movie.  We just don't believe him as the smart guy.  Tom Hanks is everyman.  He's the modern day Jimmy Stewart.  He's Forrest Gump...  the Fedex guy from Castaway...   the foreign diplomat from the Terminal.   He's no religious scholar with a PhD. 

Other people could have played the smart guy.  Harrison Ford... well, I guess he's already search for the grail once, so that's out.  How about Russell Crowe.  No, not the bruiser from Gladiator, but the dork from a Beautiful Mind.  Hell, even Bill Pullman could have been more believable in this role.  Any other ideas?

Liam Neeson has a great line in Batman Begins that didn't quite resonate with me until yesterday:

"You haven't beaten me.  You've sacrificed sure footing for a killing stroke."

I think this is a great lesson for anyone tempted to monetize a service too quickly and sacrifice adoption and uptake of a product... or to change the direction of your product to take advatage of short term revenue opportunities.  Its very easy to pick low hanging fruit, but you also need to "mind your surroundings" and think about whether or not quick payback sets you up to still take advantage of the larger market opportunity.

BTW...  I've heard about the possibilities of a sequal to this movie...   I'll cast my vote right now for Scarlett Johansson as Harley Quinn should they follow a Joker storyline.

Douglas Warshaw sent me this list some time ago...  I was just cleaning my inbox and couldn't figure out what to do with it, and I think its really best suited out in the open, b/c its such a well thought out list.

From Doug:

Charlie ... was reading your blog ... and thought I'd send you the below.  It's a list I made up last year for a friend's son who was going off to college (hence, some of the notes specific regarding on what date a film should be ideally be seen :)

WINTER KILLS.
By the author of The Manchurian Candidate and Prizzi's Honor, a dark satire
on the Kennedy assassination ...probably the best movie you've never heard of.



   PRIMAL FEAR
Ed Norton's breakout role -- and he's surrounded by a great cast, including
the incomparable Laura Linney, Frances McDormand, John Mahoney, Adre
Braugher, Alfre Woodard and Richard Gere -- a terrific, underrated movie
(probably because its dumb-ass title has zero to do with the plot!).



   THE MAN WHO WOULD BE KING
Sean Connery and Michael Caine...about as good as a Kipling tale -- or a movie
for that matter -- can get.



 *THE LAST DETAIL
One of a line of truly great, cynical American movies of the late 60s and 70s. The kind of flick that makes you realize how far from great today's

films are.  Jack Nicholson in one of his greatest roles.



  BONNIE & CLYDE
Changed American filmmaking, our sense of violence, our sense of celebrity -- and even effected American fashion. Warren Beatty, Faye Dunaway and young Gene Hackman (in his breakout role).



   NETWORK
Paddy Chayefsky's amazing black satire of the TV business -- that today seems less a satire than an on-the-mark prediction. Another of the great, cynical American movies of the late 60s and 70s.



  THE HOSPITAL
The single blackest film I've ever seen. Another gem by Chayefsky.



  *CHINATOWN
Regarded by many as one of the very best scripts in the history of film. Roman Polanski at is best, and Jack Nicholson, again,  at the top of his game.



 *THE MALTESE FALCON
"A man can have many sons, but there's only one Maltese Falcon."
 The most perfectly cast film ever. (From a great Hammett novel.) Another John Huston gem.



 THE BIG SLEEP
What the Falcon is to Hammett, the Big Sleep is to Chandler. Bogart and Bacall, 'nuff said.



 LA CONFIDENTIAL
Another great script. And, of course, Rolo Tomasi.



  WITNESS FOR THE PROSECUTION
Billy Wilder meets Agatha Christie. This one gets lost in the shuffle of great old films, but a true gem.



 *THE USUAL SUSPECTS
Best script of the past 10 years.



 *THE GODFATHER (I & II)



 *GOODFELLAS
"Funny how?"
Forget Paul Hamm... The IOC should make Kevin Costner walk over to Scorsese's house and hand him the two Oscars Costner stole in 1990 (for Best Director & Best Picture, for that abomination, "Dances with Wolves").



 *RAGING BULL
Regarded by many as the best film of the 80s.



 *TAXI DRIVER



 *CUCKOOS NEST
Jack at his best, yet again. (The World Series scene is one of the greatest ever -- hell, the whole movie is one of the greatest ever.) And to think it only took a decade for Kirk Douglas to find a producer (his son) willing to make it.



  SERPICO
Based on a true story of the one honest cop in all of New York in the 1970s.
   Another of the truly great, cynical American movies of the late 60s and 70s.



 TO KILL A MOCKINGBIRD
I cry just thinking about it. (See it with a date, and show her your sensitive side.)



 *DINER
Tough to find a smarter, funnier, more enjoyable film. The sort of film you quote from once a week. The sort of film that has about a dozen GREAT scenes (including the greatest quiz ever.)

  The first of Levinson's Baltimore films.



  TIN MEN
The second of Levinson's Baltimore films.
  Not Diner, but pretty terrific.



  BREAKING AWAY
Another great script. And another great ensemble acting job (featuring Paul Dooley, one of my very favorite character actors: "Refund! Refund!") Another gem.



 *ANIMAL HOUSE
Simply the finest American film ever made. To be quoted from at least once a day.
  I dare you to find a funnier picture.



 *SPINAL TAP
Another film you'll quote from for the rest of your life.



  LOST IN AMERICA
Albert Brooks' best film. Funny and mean.



   FLIRTING WITH DISASTER
Ben Stiller, Tea Leone, George Segal and Mary Tyler Moore in a another cruely funny (David O'Russell) film.



  MY COUSIN VINNY
Another comic gem.



 *PULP FICTION
Right up there with The Usual Suspects, in terms of script, and great direction to boot.



 *TRAINSPOTTING
I LOVE this film -- its energy, its wit, its grit, its script, its
filmmaking, its humor.



  DRUGSTORE COWBOY
Another great drug film. Starring Matt Dillon and Kelly Lynch (with one of the all-time laments: "You won't fuck me and I always have to drive.")



  *48-HOURS
Eddie Murphy's breakout film. And still his best.



  *3 KINGS
David O. Russell's brutally funny, smart, quirky film about US Soldiers in post-war Iraq on a quest to find a chunk of Sadam's hidden treasure.

  George Clooney & Ice Cube have never been better together!



  *PATTON
Huge.



  APOCOLYPSE NOW
My guess is you've seen it. And best not seen on a small screen. But I couldn't stop myself from typing it on this list. (Falls apart at the end,

but well worth the trip up the river.)



  BREAKER MORANT
Brilliant courtroom drama that takes place during the Boar War. Small picture, big issues.



  LAWRENCE OF ARABIA
One of the all-time great films. But best seen on a BIG screen.



  THE RIGHT STUFF
Perhaps APOLLO 13 is better ... but this is bigger ... and translates the remarkable reportage of Tom Wolfe to the big screen perfectly.



  ALL THE PRESIDENTS MEN
Just a great movie. And every frame of it is true.



  NORTH DALLAS FORTY
One of the all-time sports films. Dark as hell. But funny as hell. And on the mark: This really is what pro sports was like in the 70s/80s. (From a

terrific novel by former Dallas Cowboy, Pete Gent.)



  *SLAP SHOT
THE FUNNIEST sports film ever made.



  *BULL DURHAM
Probably the most entertaining sports film ever made. And probably the best baseball film ever made. (And Costas agrees :)



  *CHARIOTS OF FIRE
The Olympics before NBC, Bob Costas, or even Roone Arlidge.
        "True story* of two Brits competing in the 1924 Summer Olympics: One a devout Scottish missionary who runs for God, the other a Jewish student at Cambridge who runs for fame and to escape prejudice."

 *(Actually, some of the facts are conveniently moved around :)
  Won the Gold medal for Best Picture in 1981 ...and unlike Paul Hamm's, no one argued about it.



  *COOL HAND LUKE
How many hard-boiled eggs can you eat? George Kennedy (later of Naked Gun side-kick "fame") gets the Oscar, but Paul Newman owns the film.



  THE HUSTLER
Man, Jackie Gleason was just a great film actor. And Paul Newman is just... Paul Newman.



  *THE COLOR OF MONEY
How many Scorsese films (and Paul Newman film) can I put on this list--and the guy's never one the Oscar!!!--dunno', but no way this sequel to "The Hustler" gets left off.



  GOING PLACES ("Les Valseuses")
A great date film -- but has to be the right girl -- and its subtitled, so see it on a big screen if you can. But you probably can't, which is why I'm putting it on this list (whereas I've left off a lot of other great films like "The 400 Blows," which you'll be able to catch on campus).

  Aimless criminals, and aimless sex. But blisteringly funny. Starring a very young Gerard Depardieu -- and featuring the legendary Jeanne Moreau, of "Jules and Jim" fame -- and a very young Isabelle Huppert.



  AMERICAN GRAFFITI
George Lucas's breakout film about his home town. No special effects -- just a great young cast: Harrison Ford, Richard Dryfuss, Ron Howard! ...and a brief but memorable appearance by the then unknown Suzanne Summers.



  SATURDAY NIGHT FEVER
Lost all the hoopla over John Travolta, and disco fever, and the Bee Gees, is the fact that this is a great (small) authentic film.



  * THE GRADUATE
My guess is they'll show it Freshman week. If they don't, save it for a date. (Just don't make it a date with one of your friend's mothers.)



  MORGAN: A Suitable Case for Treatment
One to watch on a date...or with a group in the mood to see a very offbeat film...that's one of the best of the British comedies of the mid-60s.

  I love this film.
  And Vanessa Redgrave, despite her politics, just may be the most beautiful woman ever to walk the earth. And in this film, she certainly makes you understand why, "Morgan is sad today."




  * CASABLANCA
You must remember this... Maybe the ultimate date film. (Ideally the third date.)  Hell, maybe the ultimate film.



  *THE BEST YEARS OF OUR LIVES
  For a long time this remarkable film of war veterans coming home after WWII held the record for most Oscars, and deservedly so.

  I cry just thinking about it. (Another one to see with a date, to show her your sensitive side.)



  * IT'S A WONDERFUL LIFE
One of Capra's classics. And another great date film.
   (Don't get fooled into thinking this is some “Miracle on 34th Street” Christmas Holiday see-it-on-TV film. This is one remarkable movie. And Jimmy Stewart gives one of the great performances ever caught on celluloid. It's why Tom Hanks--only at his

best---gets compared to Jimmy Stewart.)



  THE PHILADELPHIA STORY
Maybe the greatest (and. smartest) "screw-ball" comedy ever made:  Katherine
Hepburn, jimmy Stewart and cary grant. And, yes, she is "yar."
  Another date flick.



 * DESIGN FOR LIVING
Gary Cooper and  Fredric March both living -- and sleeping with! -- Miriam
Hopkins.  (With the magical Edward Everett Horton--the voice of Bullwinkle's
"Fractured Fairy Tales"--as the cuckolded husband.)
  This film almost single-handedly brought about the Hayes/Hollywood
Production Code, which took the sex out of American movies for about three
decades!
  (My favorite shot is when Hopkins falls back on the couch, and the sex--in
the form of dust--just rises all around her.)
  You won't believe someone made this film 70 years ago. It's brilliant, and maybe Lubitch's best -- and that's saying something.

  Another great date film.




OKAY... i can't help myself... here are the films that you MUST see when they play on campus... all but the last four are great date films :)

* GRANDE ILLUSION (anybody who really knows film has this in their top 10 -- Renoir's greatest)

RULES OF THE GAME (another gem by Renoir)

400 BLOWS  (possibly Truffaut's greatest)

CITY LIGHTS (Chaplin's greatest)

* MY LIFE AS A DOG

NINOTCHKA (another Lubitch masterpiece -- it'll make you realize what all the fuss about Garbo was about)

* CITIZEN KANE (basically the mount Olympus of films)

KIND HEARTS & CORONETS

ANNIE HALL

BUTCH CASSIDY & THE SUNDANCE KID

HEAVEN CAN WAIT

A HARD DAY'S NIGHT (one of the 20 most influential films of all times)

HAROLD & MAUDE ("offbeat" doesn't do it justice)

FAST TIMES AT RIDGEMONT HIGH

RISKY BUSINESS

* Clockwork Orange

* Dr. Strangelove

M*A*S*H

Henry V (both Olivier's and Branagh's versions)

----also
   The Blue Angel
   Destry Rides Again
   Goodbye Mr. Chips
   The Hunchback of Notre Dame
   Brassed Off
   The Commitments
   Notorious
           (Gary Grant, Ingred Bergman and Claude Raines in my favorite Hitchcock film)
   From Russia with Love
   Five Easy Pieces
   Easy Rider

Ok, quick, name a movie with Kevin Kline, Joan Allen, Sigourney Weaver, Tobey MacGuire, Christina Ricci,  and Elijah Wood.  I hadn't heard of this movie before I saw it on TV, and I was like, "Wait... wow, look at all these people in this movie.  How have I not heard of this before?"

To be honest, I don't know how good of a movie this is... but it just has so many people in it that I really like to watch.  I like Kevin Kline a lot because I tend to like his characters.  He's great at playing a guy with good intentions that gets himself into some not so ethical situations, but yet, it always seems to rise above it.   While  Keven Spacey did an enormous performance in American Beauty, I think Keven Kline could have also played that role as well.

And Sigourney Weaver...  well, Sigourney and I have a connection, because we literally bumped into each other one time...  like actual bumping.  I was going to pick up my high school girlfriend at Sacred Heart on 91st and 5th, and when I was turning the corner on 91st and Madison, we walked right into each other.  I didn't realize who it was at first, but when I was like "Oh... um.. wow."  She smiled and we both walked off to return to our normal lives, forever altered by that single moment.  I'm sure she feels different for having met me even to this day. 

The movie takes place in the early 70's in suburban Connecticut, with charactors basically stumbling through the search for themselves by doing all the things they shouldn't, with sometimes tragic results.   Its sad, sometimes interesting and often somewhat uncomfortable, but it is in these moments of uncomfortable sexuality where the A cast really shines.  (Although, since I already said that Christina Ricci was in it, did I even have to mention that there would be some uncomfortable moments like that in it?   She was going 17 going on 36 at the time.)  No car chases, explosions, special effects... just a really great movie with great actors and some interesting situations.

Not everyone I've recommended this movie to or watched it with likes it.  Its a bit slow and a bit long.  However, its just like Ice Storm in that its got a great cast and yet few people have ever heard of it.  It stars Kevin Kline, Danny Glover, Steve Martin, Mary McDonnell, Mary-Louise Parker and Alfre Woodard.  So you're going to see a lot of Kevin Kline on this list--he just plays these great introspective characters trying to be stand up guys.  I like that.  I feel like all his characters could be Jesuit educated--men for others but also tortured by questions over what exactly that means. 

There's also this great scene where Kline explains why he's trying to get to know Danny Glover--because Glover saves his life and he can't help but wonder why people get placed in each other's path at certain key moments.  I do the same thing.  I don't let chance encounters pass me by and I wonder about the reasons behind them.  Maybe I try to make something out of nothing, which Glover seems to think Kline is doing, but I just think its wildly interesting why random people seem to have these disproportionately large impacts on your life sometimes. 

So, if you want good dialog and a nice story acted solidly by really good actors, this is worth checking out.  If you need action to keep you awake, you'll just have to wait to see Batman Begins this June 15th.

So Daniel Craig is the new bond.  Interesting.  I'll have to see him in action, but in the meantime, I think its time I brought the 007 franchise to my list.

But I can't pick just one.

So, instead, I'll make a "Best of" list....

I know, I know, I'm doing a terrible job of keeping up... but I've been busy fixing the layout of this blog.  :)   Well worth it so far, no?   This is the end of phase one.  In phase two, I'll be fixing the layout of the sidebar and reorganizing some of the bells and whistles.

I rediscovered Ghostbusters not too long ago.  I never really realized the quality of the writing before.  Almost every single line in the movie is either funny or just plain good.  The commercialization around this movie really made it cheesy, but if you go back to it years later, its actually a fantastically written movie.  The humor is often subtle and I don't think you pick up on half of it unless you see it a few times.

"Do you have any hobbies?"

"I collect spores, molds, and fungus."

The other thing I like is how genuinely New York the movie is.  So many of the extras couldn't get any more Gotham, from the unsuspecting Upper East Sider who walks into the corpse's cab, the Mayor, and all of the wiseass cops.

"You do your job, pencilneck, don't tell me how to do mine."

Nice cameo by local anchorman Roger Grimsby, too...  I remember Grimsby and Bill Beutel every night at dinner on Channel 7.  Little details that just make the whole thing a little more authentic...well, as authentic as you can get a movie about catching ghosts.

"What are you supposed to be, some kind of cosmonaut?"

"No, we're exterminators.  Somebody saw a cockroach up on 12."

"That's got to be some cockroach."

"Bite your head off."

This is also a movie that never should have had a sequal, and I think the cheesiness and commercialization of the franchise really detracted from the original.  But, you know, Ivan Reitman's got to put some food on the table...  which, if you've seen him lately, doesn't seem to have been an issue.  Same with Ackroyd.

I didn't do a movie post last week...totally forgot.

So, this week, I've got not one, not two, not even three, but FOUR movies for you.

And, in the spirit of Halloween, they all revolve around one man:

Dr. Hannibal Lecter

Silence of the Lambs is probably the best in this series of four, based on three books (three movies + one remake).  Its also my favorite, but the other movies are solid and stand up on their own, too.

We first got introduced to Dr. Lecter in Manhunter, then played by Brian Cox.  That's also the first time I got introduced to Iron Butterfly's In-a-Gadda-Da-Vida, which is scary as hell if you're in a dark room chased by a lunatic, being captured by low quality camerawork.  Manhunter has a kind of low-budget Halloween feel to it, but the script is good and the charactors give it some depth.  Not a bad adaptation, and in, fact, I like it better than I liked Red Dragon.  I think Tom Noonan was better cast than Ralph Fiennes to play Dolarhyde, although the Dolarhyde charactor gets explored much deeper in Red Dragon.

Still, Anthony Hopkins is Lecter, and he redefines movie psychopaths in Silence of the Lambs.  A lot of people get really freaked out by this movie, and to be honest, I find movies like Se7en to be more disturbing, but that doesn't mean it still isn't an excellent movie.  Silence is the movie that will actually be going on my Top 50 list...  these others are just gravy in a great series.  Or... chiante rather. 

We lose Jodie Foster after Silence, but Julianne Moore does a good job as a replacement in Hannibal.  In fact, I almost think its better that we see the tougher, more agressive Moore here since this is supposed to be Agent Starling later in her career.  Hannibal is a beautifully styled movie with a great score by Hans Zimmer.  This time, we catch up with Dr. Lecter in Europe, coaxed out of hiding by a melted Cabbage Patch Doll, played by Gary Oldman.  The dinner scene at the end is over the top, but the rest of the movie is an admirable follow up to the favorite.

Red Dragon finishes up the series with yet a new and fresh take, telling the story of Dr. Lector's capture and the first case that he helps out on.  Edward Norton does a fantastic job here, as always and the movie is pretty suspenceful throughout, especially when his family gets roped into this terror.  I think I like the original Manhunter a bit better, I still think, as sequels and prequels go, this one is pretty good....  its a solid and scary series all the way around.

You could have almost guessed this given my new arrival this weekend, no?

My dad really loved Steve McQueen and that's how I found Bullitt.  It was the Saturday afternoon movie on Channel 5 or something and he was watching it.  Steve McQueen was a very different action hero than I was used to.  Growing up on Sly and Ahhnold, and even catching a bit of Dirty Harry, you think of every action here as a bit larger than life.

Steve McQueen in Bullitt was just a regular guy doing a job.... and he played that perfectly. 

I would have liked to see him last longer than he did... he was stricken with lung cancer and died at 50.  What kind of roles would he have taken? 

Bullitt also has a great cast.  Robert Vaughn, Jacqueline Bisset, Robert Duvall.

Oh... and there's a little car chase in it, too.  :)

By conventional standards, it isn't really much of  a car chase...   but this is really the first real movie car chase.   The Mustang vs. the Charger.  It was so much more realistic than the chases we see now.  They used live sound, and McQueen did a lot of his own driving--screwing up a few times in the process--all caught on film.  And the chase was McQueen's idea in the first place.

The interesting thing was that it also touched off another auto icon.  Had they not used the Charger in the movie, it would have never influenced the use of the Charger as the  "General Lee" in the Dukes of Hazzard. 

I saw this the other day and I thought it was just hilarious.  Its amazing how a few carefully collected clips and a little change of soundtrack can do.  Definitely worth watching.

In all seriousness, though, The Shining is one of my favorite movies.  First of all, it makes me feel so conflicted.  On one hand, you have the perfectly deconstructed and torn down psychopath, Jack Nicholson, flipping out and trying to kill his family.

On the other hand, boy do I hate Shelley Duvall in this movie.  I mean, I seriously think if he did clip her with that ax, the audience probably would have cheered.  Can an actress be more irratating??  Watching her flounce around in an attempt to run was just painful.  Well, I suppose if it was Jamie Lee Curtis, Jack wouldn't have been too much of a match for her, so they had to pick an easier target.

Anyhoo, Jack's whole unwinding is done at such a perfect pace.  Its never unbelievable and it never drags on either.  Plus, I like the fact that the ghoul factor is pretty low.  Its scary, but the only thing you really need to be scared of is the woman in the tub.  Other than that, its all just mood and suspence.  Fantastic score, set off by the early Berlioz on the trek up the hill.  I loved the scenes where the charactors from the past appear, and I think maybe the scariest thing in the movie is when he turns up in the picture at the end.

Best unintentional comedy moment:  Scatman Carrother's (the cook) apartment in Miami.  It looks like a scene from "The Ladies Man"...  huge sprawled out female nude painting behind the bed.  Totally 70's decor.  Look out Miami. 

I know what you're going to say. The fourth one? Absolutely.

Growing up in the 80's, the movies were all about two guys--Stallone and Schwarzenegger. Rocky/Rambo vs. The Terminator/Commando/Conan. The amount of money these two grossed in the 80's is staggering. Right smack in the middle of it, in 1985, Stallone reigned supreme. He had two out of the top three biggest hits, bringing in $277 million with Rambo II and Rocky IV. When I think of "Sly" these are the movies that come to mind.

So why not the earlier ones? Why not the first one? It won best picture. Well, you have to understand that I got exposed to these movies all at the same time, not as they came out. So, to me, Rocky was the champ. Watching him lose in the first one, even though the first one was a great movie, was kind of disappointing. Great writing, yeah. Nice story... stairs, running, whatever... not my fav. Oh, and is Adrian more annoying when she's completely social inept in the first one or when she's the nagging wife later on?

So now there's two. He gets another shot at the title. Well, I didn't really like that he lost in the first one, but I don't really like the fact that he has to beat Apollo in this one. Apollo's not a bad guy. He's Rocky's bud later on... he teaches him how to beat Mr. T. They're on the same side. So, if you've seen the later ones, it kind of takes a little bit of steam out of the early rivalry. Still, its nice to see Rocky become the champ here.

As for three, well, this one is kind of a joke. Its the parade of the 80's icons... Hulk Hogan. Mr. T. BTW... I can't believe they kill Mick in this one! Bold move. Funniest moment from watching III for the first time at Brian's house was Brian saying, "Rocky's Jewish?" when they're at Mick's funeral and he's got a yarmulkah on. His brother Jimmy, who I think is one of the funniest people I've ever met, returned with, "Yeah, that's why they call him the Italian Stallion."

No, for my taste, its four. At the height of the cold war (at least as far as I knew, anyway), you've got USA vs. USSR. The Italian Stallion from Philly against Mother Russia. Its just so dramatic its totally ridiculous, but its perfect. Dolph Londgren has about three lines and they're all classic.

"If he dies, he dies"

"I must break you."

"You will lose."

His coach is great, too...

"Whatever he hits, he destroys."

Londgren is just so larger than life, towering over Rocky, that its unreal. But Rocky's trained hard. He's chopped wood.. a lot of it. He's run in snow and lifted carts full of people. Plus, he's been listening to Vince DiCola's "War" throughout the whole movie, even though it never works for the Mets at Shea when they're down late.

Plus, its got James Brown!

I just love everything about this movie. Drago is definitely in my top villains list (that's one I definitely have to do... I love bad guys). I think one of the only downsides is that its a reminder of how badly Bridgitte Nielson has aged.... that and the stupid robot scenes with Paulie. (Why does Paulie even need to exist anyway?)

So, you might disagree, but for a kid who grew up in the 80's, Rocky IV is where its at.

Rocky IV

Del.icio.us : movies

Sorry for the late movie again... another busy week.

"When is a sidewalk fully dressed? When its Waring Hudsucker!"

"..when the president, chairman of the board and owner of 87% of the company stock drops 44 floors... ...then the company too has a problem. "


When I was a senior at Fordham, I worked with my friend MaryAnn and a Jesuit scholastic, Andrew Wawrzyn, to come up with a spiritual retreat for business students. I was on the spiritual retreat team that year, and very few of the business majors were taking advantage of the program. However, there was certainly a need for a little "refill" after recruiting was done in the fall. Many of our classmates complained that they found recruiting--figuring out who they needed to be to get hired--emotionally and spiritually draining. Therefore we targeted a weekend program specificially to them, but modeled on the Emmaus retreat format.

It turned out to be a great program. Our activities generated a lot of great reflection and conversation. However, we didn't want to make it too intense, so we needed something to do at the end of the overnight to relax, but something that tied into the theme.

We watched the Hudsucker Proxy.

The Hudsucker Proxy is a movie with a nice little message about dreams, perseverence and the pitfalls of greed in business. Tim Robbins is a bright eyed young man with a big idea (you know, for kids) and a lot of ambition. He stumbles into a scheme led by a perfectly cast (sure, sure) Paul Newman that puts him right at the top of a pubic company. The movie is very styled... very 50's, boomtown and big... hats, rotating job boards, fast talkers and a little bit of innocence. Jennifer Jason Leigh is entertaining as the undercover reporter trying to get the scoop on why an imbicile is now running a company.

In the end, Robbins gets the best of them all by turning his big idea into a big success, but not without learning what happens when you let money and greed go to your head. Its a charming story with a solid cast, amusing charactors and a nice pace.

The Hudsucker Proxy

Del.icio.us : movies

Its Wednesday, so you know what that means...    my movie selection two days late.  Sorry.

So last night, I went out with my new Zog Sports softball team.  I signed up as an individual, so now I have a whole new set of people I'm getting to know.  I asked someone what their top five movies would be to take to a desert island.  This is a little bit different than saying favorites.  I love Shawshank, but I couldn't watch it over and over and over again on my desert island.

One selection she had was pure brilliance:  Beverly Hills Cop.  And you know, it doesn't even matter which one.  Frankly, I don't even know which one was which.  There's one with Wallyworld and another with Bridgitte Nielson...  They're all kind of the same.  Same plot.  Crime gets committed.  Eddie Murphy is on vacation or accidently around or follows up a lead from across the country and isn't supposed to be there.    He pokes his nose where he doesn't belong.  The local cops haven't a clue and he's just nosey enough to figure it out.  He laughs a lot, flashes that big smile, and impersonates a lot of wacky charactors to get by underpaid rent a cops or receptionists or hostesses.  Judge Reinhold has a gun fetish... and his partner has an ulcer.  hmm.. did I forget anything?

But, the one thing they have in common...   no matter what time it is, or how many times I've seen them before, I'll stop to watch Beverly Hills Cop if I'm flipping through the channels.  That's what makes a desert island movie.  I seriously think I could wake up every morning on my desert island, watch a little Axel Foley, and not get tired of it.  Its not even that its that entertaining...   its just entertaining enough, simple enough...   Its kind of like the movie equivilent of Livan Hernandez.  The guy goes out and throws seven or eight innings every time and gives up three or four runs.   If you knew you had a pitcher who could throw eight and give up four runs, you'd take that every time.  Same with Beverly Hills Cop.  Solid, but unspectacular entertainment every time. 

Plus, how cool is that theme song?  Go ahead... hum it.  You know how it goes. 

So what's your desert island movie?

Wolfgang...

...Amadeus...

...Mozart.

I don't know which is more brilliant, the title charactor or the movie.  (Well, I know the answer to that, but still, the movie is pretty damned good.)  F. Murray Abraham narrates the movie as Salieri and we obviously get his perspective of the story, otherwise we'd probably see someone a little less childish than Tom "Pinto" Hulce playing Mozart. 

Most of the composers of the past are pretty dead to us as charactors.  What Amadeus did was to bring Mozart alive in our pop culture minds...  to tell his struggling artist & tortured soul story.  It put a fresh face and a story (and a laugh) on a body of music centuries old.  Its really hard to imagine that all that music tying dozens and dozens of instruments together into melodies even little kids know all came from one man.  How much of the story is true to life?  Who knows...  but even a fictional retelling loosely based on fact gets us closer to his life than stale old engravings on a CD cover. 

I wonder what Mozart would listen to today.  I wonder what his Pandora radio station would sound like.

Almost lose.  Stop.  Look back.  Reexamine.  Appreciate.  Save or renew.

That's Eternal Sunshine.  Oh yeah, there's a big of intrusive memory zapping, too.  What lengths we'll go through to forget people we want to remember.

In ESSM, Jim Carrey has to bring every single item that reminds him of his ex into an office to help get rid of her memories.  What does that bag look like for you?  Do you keep anything you should probably get rid of?  When I had my wallet stolen, I had a ten year old Winterfresh gum wrapper in it.  What's your item?  In the spirit of forgetting, and maybe, in turn, appreciating, that's the topic of today's call for comments back.  Name the item you keep from a past love that you should probably get rid of. 

Jim's bag is full of stuff.  Drawings, a snow globe...   and his head is full of stuff, too.  We know that because we get to walk through it and it results in a visually creative, fun, and thoughtful take on how much love depends on our own screwed up heads.  He's great in this movie and I really think he does a great job in most of his pseudo-straight man roles... he's a good actor.

I sweat Kate Winslet in this movie, too.  I've always loved crazy chics with Crayola hair, especially when they have a sensitive, vulnerable side they only show to a select few... always made me feel special. 

The movie is made by Focus Features which also did Lost in Translation.  Its the "specialty" unit of Universal... both movies are indeed very special.

The year was 1994.  I was a sophomore at Regis.   

I had recently been introduced to the Mecca that was the local all-girls high schools.  When you go to an all-guys high school, getting an "in" to your sister school was like finding the Holy Grail.

So there I was, with some newly minted friends from Marymount and the older Regis guys they hung out with, and they couldn't wait to see Pulp Fiction.  I was largely unaware of what I was going to see.  In fact, I remember being largely unaware of a lot of cool pop cultural stuff at the time, aside from what I heard on Z100 or from my Brooklyn friends.  I remember in freshmen year being told who the Ramones were by this girl Veronica I met at a Regis dance.  The Ramones!   What a sheltered life. 

Anyway, Pulp Fiction was, by far, the coolest thing I'd ever seen on the screen.  It was edgy, creative, and totally unlike anything else.  I must have easily seen it ten times in the movie theater... also because it played FOREVER.  You could always find it playing somewhere in the city. 

Pulp Fiction marked the resurrection of John Travolta's career as well.  He'd just come off the second sequal of "Look Who's Talking"... (yes, they made THREE of those movies) and hadn't done much since... well, since the early 80's. 

Another first.... it was also the first time was saw all this mix and matching with storylines that were out of order and tied back into each other.  When I saw that the diner scene tied back into itself, I was really wowed.

All the characters...   well, they're all just so fantastic and how many lines from this movie just got repeated over and over again?   "Check out the big brain on ______."   From Pumpkin and Honeybunny to Jules to the Wolf, the casting is kind of like watching art. 

And its got a Christopher Walken monologue...  This scene is just hilarious.  "And I hid the watch..."

There isn't one thing I would have done differently with this movie.  I love every character.  Every scene is art.  Every line is so carefully constructed.  It was part of growing up for me.  I owned the soundtrack, too...  great soundtrack.  Everyone my age had it. 

I think of this list like the Hall of Fame, but some of the movies are like Babe Ruth and Ty Cobb.  They're just on another level that would be a list of like 5 or 10 or something and not make for much interesting comparison.  Pulp Fiction is on that list, Shawshank, and few others.  Truly greay.

So its a couple of days late and I posted Shawshank last week, so now I've got to come up with something to top it or even on par, right?

Nope.

Not even going to try.

This is a pure Charlie's favorite.  I won't vouch for any kind of quality.  No Oscar caliber performances here.

What do you get when you combine Rammstein, hot chics, fast cars and a bald guy?

No, its not my blog...

Its Vin Diesel in "XXX".

"XXX" is just gratuitous entertainment.  Things go fast, things blow up, and there's cool music from Queens of the Stone Age, Orbital, and  Drowning Pool.  Did I mention things blowing up?  Its also got fantastic lines like, "I like anything fast enough to do something stupid in."

Truly an award winning performance from Vin Diesel--he actually got nominated for Best Male Performance at the MTV Movie Awards. 

At 5.5 stars, its got one of the lowest movie ratings I've seen on IMDB.... but to be honest, how could you dislike this movie if you went to go see it?  You knew it had Vin Diesel in it.  What did you expect?  Where there not enough things exploding?  Should the music have been louder? 

This ain't no Shawshank, folks.  Its the guy who did Riddick.